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November 26 & 29
Exhibition On Screen: Canaletto and the Art of Ven(2017)
EXHIBITION ON SCREEN opens its fifth season with Canaletto and the Art of Venice, an immersive journey into the life and art of Venice’s famous painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto. The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences – Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain. Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views – from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovannie Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.
December 1 & 2
Harry Potter and the Sorcerer's Stone(2017)
It's going to be a "Harry Potter Hometown Holidays Christmas" at the Liberty Theatre. The beginning of it all. J.K. Rowling’s best-selling, literary phenomenon comes to life on the big screen. On his 11th birthday, orphaned cupboard-dweller Harry Potter is rescued from the outrageous neglect of his aunt and uncle only to learn that he is, in fact, a powerful wizard -- with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. Best. Birthday. Ever. At Hogwarts, new friendships and magical adventures abound. As Harry learns to harness his newfound powers and navigate this fantastical new world, he also begins to uncover the truth about the death of his parents — and the dreaded evil wizard responsible, Lord Voldemort.
December 2 & 6
National Theatre Live: Follies(2017)
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George. Please note that this performance of Follies includes strobe lighting.
Royal Ballet: Alice's Adventures in Wonderland, Th(2017)
Follow Alice down the rabbit hole in Christopher Wheeldon’s exuberant ballet, inspired by Lewis Carroll’s much-loved book. At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser. Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty’s famous Rose Adage – to a playing card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.
December 7 & 8
Buddy the Elf is searching for the true meaning of Christmas, but it’s not going to be easy in this hilariously off-the-wall, Ferrell-esque comedy from director Jon Favreau (Iron Man, Chef). One Christmas Eve long ago, a small orphan baby crawled into Santa’s bag of gifts and was carried off to the North Pole. Named Buddy (Ferrell) and raised by Papa Elf (Bob Newhart), it soon became clear that he didn’t fit in as he was much bigger than the other elves. Determined to find a place where he belongs, Buddy sets out to find his real dad—in New York City! Buddy soon discovers that the big city is no place for an elf and his mean dad (James Caan) is on the Naughty list. But most importantly, he finds that the world is seriously lacking in Christmas spirit. So with the help of a friendly department store elf (Zooey Deschanel), Buddy tries to teach his dad and the world the true meaning of Christmas spirit and to prove to everyone that Santa (Ed Asner) really exists. “Elf is one of those rare Christmas comedies that has a heart, a brain and a wicked sense of humor.”- Roger Ebert, Chicago Sun-Times
December 8 & 9 & 10
The Breadwinner tells the story of Parvana, an 11-year-old girl growing up under the Taliban in Afghanistan in 2001. When her father is wrongfully arrested, Parvana disguises herself as a boy in order to support her family. With dauntless perseverance, Parvana draws strength from the stories her father told her, and ultimately risks her life to discover if he is still alive. Equal parts thrilling and enchanting, The Breadwinner is a timely and inspiring tale about the transcendent power of stories, and their potential to unite and heal us all. From executive producer Angelina Jolie and the creators of the Academy Award®-nominated The Secret of Kells and Song of the Sea, comes the highly-anticipated new feature based on Deborah Ellis’ best- selling novel.
The next great saga of hope, courage and determination! In a world where magic is everything, Asta and Yuno are both found abandoned at a church on the same day. While Yuno is gifted with exceptional magical powers, Asta is the only one in this world without any. At the age of fi fteen, both receive grimoires, magic books that amplify their holder’s magic. Asta’s is a rare Grimoire of Anti-Magic that negates and repels his opponent’s spells. Being opposite but good rivals, Yuno and Asta are ready for the hardest of challenges to achieve their common dream: to be the Wizard King. Giving up is never an option!
New York City Ballet: George Balanchine's The Nutcracker(2017)
Experience the wonder of New York City Ballet’s iconic holiday classic on the big screen. In George Balanchine’s The Nutcracker ®, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine’s stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the oneton Christmas tree that grows to an astonishing 40 feet.
December 10 & 13
Ferrari 312B: Where the Revolution Begins(2017)
Celebrating a masterpiece from the modern era, Trafalgar Releasing invites audiences to experience a special, high technology event like no other. Bringing to the big screen for the first time in 4K, Ferrari 312B is the story of one of the most ground-breaking, beautiful Ferraris ever made - the indomitable spirit of F1. Join legendary racing drivers such as Nicky Lauda, Jacky Ickx, Jackie Stewart, Gerhard Berger & Damon Hill as they pay tribute to a unique car that is a work of art as much as a revolutionary futuristic prototype that went on to change the world of motor sport forever.
December 15 & 16 & 17
The Duke brothers are dicks. They make a bet of the “usual amount” and agree to conduct an experiment of nature versus nurture by switching the lives of two people at opposite sides of the social hierarchy and observing the results. Dan Aykroyd’s snobbish investor lifestyle gets screwed, while streetwise hustling Eddie Murphy gets to live the good life...until the bet is over and order is to be restored. But when the two guinea pigs hear they were the subject of some old guys’ stupid bet, they enlist the help of their butler (the always great Denholm Elliott) and a smoking hot prostitute with a heart of gold (Jamie Lee Curtis...seriously 1983 was a good year to be a prostitute *see RISKY BUSINESS) to help them not only get their lives back...but get even. This satirical comedy by John Landis is great, but it’s elevated to legendary event status by the knock-you-down-with-greatness performances of Murphy and Ayroyd. They don’t just play characters—they ARE them, and you see them thinking as those characters, which makes the whole film play out all the more gratifyingly. Real life Statler and Waldorf muppets (Ralph Bellamy and Don Ameche) fill out the supporting cast that was heralded with a BAFTA win to Curtis for Best Supporting Actress in a Comedy. Plop down on a cart and start begging for change from racist old white men because you won’t want to miss TRADING PLACES.
Miracle on 34th Street (1947)(2017)
70th Anniversary presentation. Oscar Winner Edmund Gwenn plays Kris Kringle, a bearded old gent who is the living image of Santa Claus. Serving as a last-minute replacement for the drunken Santa who was to have led Macy's Thanksgiving Parade, Kringle is offered a job as a Macy's toy-department Santa. Supervisor Maureen O'Hara soon begins having second thoughts about hiring Kris: it's bad enough that he is laboring under the delusion that he's the genuine Saint Nick; but when he begins advising customers to shop elsewhere for toys that they can't find at Macy's, he's gone too far! Amazingly, Mr. Macy (Harry Antrim) considers Kris' shopping tips to be an excellent customer-service "gimmick," and insists that the old fellow keep his job. A resident of a Long Island retirement home, Kris agrees to take a room with lawyer John Payne during the Christmas season. It happens that Payne is sweet on O'Hara, and Kris subliminally hopes he can bring the two together. Kris is also desirous of winning over the divorced O'Hara's little daughter Natalie Wood, who in her few years on earth has lost a lot of the Christmas spirit. Complications ensue when Porter Hall, Macy's nasty in-house psychologist, arranges to have Kris locked up in Bellevue as a lunatic. Payne represents Kris at his sanity hearing, rocking the New York judicial system to its foundations by endeavoring to prove in court that Kris is, indeed, the real Santa Claus! We won't tell you how he does it: suffice to say that there's a joyous ending for Payne and O'Hara, as well as a wonderful faith-affirming denouement for little Natalie Wood. 72-year-old Edmund Gwenn won an Oscar for his portrayal of the "jolly old elf" Kringle; the rest of the cast is populated by such never-fail pros as Gene Lockhart (as the beleaguered sanity-hearing judge), William Frawley (as a crafty political boss), and an unbilled Thelma Ritter and Jack Albertson. Based on the novel by Valentine Davies, Miracle on 34th Street was remade twice: once for TV in 1973, and a second time for a 1994 theatrical release, with Richard Attenborough as Kris Kringle.
Bolshoi Ballet: The Nutcracker(2017)
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince. Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy, unforgettable adventure. A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and some of the Bolshoi’s greatest artists, The Nutcracker remains a timeless treasure not to be missed.
The Royal Ballet: The Nutcracker(2017)
It is Christmas Eve and Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets.
Harry Potter and the Chamber of Secrets(2017)
In the second installment of the series, Harry eagerly returns to Hogwarts — despite grave warnings and attempts prevent it, courtesy of Dobby the House Elf. Once the new term begins, Harry, Ron and Hermoine face new challenges — like the vainglorious new Defense Against the Dark Arts teacher, Gilderoy Lockhart (the great Kenneth Branagh). Meanwhile, a terrifying dark force stalking the school is turning students (and even ghosts and nosey watch cats) to stone and may just seal the fate of their beloved school forever. That is, unless the trio can solve the *riddle* of what — or who — is behind the attacks and put a stop to them once and for all.
Harry Potter and the Prisoner of Azkaban(2017)
Harry’s third big screen outing, a world-expanding wild ride (much like its book counterpart) from director Alfonso Cuarón (GRAVITY). The start to Harry’s new year at Hogwarts is a doozy: deranged killer Sirius Black (Gary Oldman, crushing it like usual) has escaped from Azkaban Prison and is bent on killing him, Ron and Hermoine are at it again, and a swarm of soul-sucking Dementors is sent to “protect” the school from Black. Oh yeah, and his super helpful new teacher might just be a werewolf. What’s a boy wizard to do? Jam-packed with adventure, AZKABAN takes us deep into the Potterverse, introducing a parade of beloved fixtures and characters (the Knight Bus! Buckbeak! Professor Lupin!) and still stands as one of the very best films in the series.
Harry Potter and the Goblet of Fire(2017)
The game-changing fourth film in the series ups the danger and the darkness — but still with a lot of fantastical fun and friendship along the way. With a dark tide rising in the wizarding world, Harry, Ron and Hermoine return to Hogwarts for their fourth year and find the school abuzz with excitement for the upcoming Triwizard Tournament Despite being too young to compete, Harry finds himself thrown into the magical contest as the unprecedented fourth contestant — but thankfully there’s that mysteriously and very surly new Defense Against the Dark Arts teacher, Madeye Moody (Brendan Gleeson) to help Harry along… With big thrills from the wizard contest and its chilling conclusion, GOBLET OF FIRE is unmissable on the big screen and absolutely pivotal to the Potter saga.
Harry Potter and the Order of the Phoenix(2017)
The rebellion begins in this, the fifth installment of Harry’s story. Uneasiness and division grip the magical community, leaving Harry, Ron and Hermoine to grapple with a world where their peers and even those in power don’t know — or refuse to believe — the truth about Harry’s deadly encounter with Lord Voldemort. Not even Hogwarts is immune, as the unbelieving Minister of Magic, Cornelius Fudge, appoints the cruel, power-hungry and grossly cutesy Dolores Umbridge as the new Defense Against the Dark Arts teacher. With Dumbledore in exile, it’s up to Harry and the gang to teach their fellow students real defenses against dark magic, stick it to Dolores, and stand up to the rising tide of evil.
Harry Potter and the Half-Blood Prince(2017)
Secrets will be revealed in the tumultuous sixth chapter of the Harry Potter saga. As Death Eaters wreak havoc in both the muggle and wizard worlds, Hogwarts is no longer a safe haven for students. While Harry discovers a seemingly super-insightful new textbook helping him ace potions class, Dumbledore is more intent than ever on preparing the young wizard for the final battle with Voldemort. Meanwhile, teenage hormones run rampant through the school, presenting a decidedly different sort of danger. While love might be in the air, and Harry’s ability at potions may be at all-time high, tragedy will strike changing Hogwarts forever and setting in motion the gripping final act of the magical saga.
Harry Potter and the Deathly Hallows - Part 1(2017)
It’s the beginning of the end. Taking matters dangerously into their own hands (like usual), Harry, Ron and Hermoine set out to finish Dumbledore’s mission of tracking down and destroying Voldemort’s precious Horcruxes, with very little to go on other than Dumbledore’s oblique clues. And though their mission means relying on one another more than ever, dark forces threaten to tear the trio apart. With Death Eaters in control of the Ministry of Magic and Hogwarts, and evil “Snatchers” hot on the gang’s heels, Harry and his friends must find a way to unite and prepare for the ultimate showdown.
Harry Potter and the Deathly Hallows - Part 2(2018)
The battle between good and evil escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the showdown with Voldemort.
January 6 & 10
National Theatre Live: Young Marx(2018)
Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors. 1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
January 19 & 20 & 21
Birdboy: The Forgotten Children (Psiconautas)(2018)
There is light and beauty, even in the darkest of worlds. Stranded on an island in a post-apocalyptic world, teenager Dinky and her friends hatch a dangerous plan to escape in the hope of finding a better life. Meanwhile, her old friend Birdboy has shut himself off from the world, pursued by the police and haunted by demon tormentors. But unbeknownst to anyone, he contains a secret inside him that could change the world forever. Based on his own graphic novel, Alberto Vázquez’s BIRDBOY: THE FORGOTTEN CHILDREN is a darkly comic, mind-bending fantasy. Gorgeous graphic imagery brings to life a surreal and discordant world populated by adorable (and adorably disturbed) animated critters, searching for hope and love amid the ruin.
January 28 & 31
Exhibition On Screen: David Hockney at the Royal A(2018)
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.
Bolshoi Ballet: Romeo and Juliet(2018)
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy. Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh retelling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
The Royal Opera House: Rigoletto(2018)
Alexander Joel conducts two excellent casts led by Dimitri Platanias in David McVicar’s acclaimed production of Verdi’s potent and tragic opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect… Giuseppe Verdi wrote in 1855 that Rigoletto, based on Victor Hugo’s play Le Roi s’amuse, was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas. David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.
February 24 & 28
National Theatre Live: Cat on a Hot Tin Roof(2018)
Tennessee Williams' twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London's West End in 2017. Following his smash hit production of A Streetcar Named Desire, Benedict Andrews' 'thrilling revival' (New York Times) stars Sienna Miller alongside, Jack O'Connell and Colm Meaney. On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy's birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real - and which will win out?
Bolshoi Ballet: The Lady of the Camellias(2018)
At a theatre performance of ‘Manon Lescaut,’ the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love. Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score
March 10 & 14
National Theatre Live: Hamlet ENCORE(2018)
Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game) takes on the title role of Shakespeare’s great tragedy. Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, the original 2015 broadcast was experienced by over half a million people worldwide. As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.
The Royal Opera House: Tosca(2018)
Drama, passion and fabulous music – Puccini’s operatic thriller is one of the great opera experiences. Dan Ettinger conducts a star cast led by Adrianne Pieczonka, Joseph Calleja and Gerald Finley. The painter Mario Cavaradossi helps a fugitive escape – and so attracts the attention of Scarpia, the sadistic Chief of Police. Scarpia captures Cavaradossi and has him tortured within earshot of his lover, the singer Tosca. From its strident opening chords, Tosca conjures up a world of political instability and menace. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – and with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: Jonathan Kent’s handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards its fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
Bolshoi Ballet: The Flames of Paris (Les Flammes d(2018)
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way. Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s “The Flames of Paris.” With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage
The Royal Ballet: The Winter's Tale(2018)
Shakespeare’s tale of love and loss becomes compelling dance drama in Christopher Wheeldon’s ballet adaptation, with music by Joby Talbot. King Leontes, possessed by a mad jealousy, believes his pregnant wife Hermione to be having an affair with his childhood friend King Polixenes. His actions tear their families apart. Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Wheeldon’s Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic. The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
April 7 & 11
National Theatre Live : Julius Caesar(2018)
Ben Whishaw (The Danish Girl, Skyfall, Hamlet) and Michelle Fairley (Fortitude, Game of Thrones) play Brutus and Cassius, David Calder (The Lost City of Z, The Hatton Garden Job) plays Caesar and David Morrissey (The Missing, Hangmen, The Walking Dead) is Mark Antony. Broadcast live from The Bridge Theatre, London. Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Bolshoi Ballet: Giselle(2018)
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death. Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for more than 150 years at the Bolshoi.
April 15 & 18
Exhibition on Screen: Cézanne Portraits of a Life(2018)
EOS is thrilled to present one of the most talked about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least known of all the impressionists – until now. Filmed in Paris, London, Washington and the south of France.
Royal Opera House: Carmen(2018)
Bizet’s classic French opera stars Anna Goryachova in Barrie Kosky’s intense production. The young soldier Don José intends to marry Micaëla, a girl from his home village. But when he meets the sensual and fiercely independent Carmen, he sacrifices everything to be with her. Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.
June 2 & 6
National Theatre Live: Macbeth(2018)
Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth. The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness. Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth.
The Royal Opera House: Macbeth(2018)
Antonio Pappano conducts Verdi’s opera based on Shakespeare’s tragedy, with a magnificent cast including Anna Netrebko and Anna Pirozzi, Željko Lučić and Ildebrando D’Arcangelo. The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist Francesco Maria Piave Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.
Bolshoi Ballet: Coppélia(2018)
Swanhilda notices her fiancé Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems, and Swanhilda decides to teach Franz a lesson. The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancé with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
The Royal Ballet: Manon(2018)
Kenneth MacMillan’s masterpiece of modern ballet is revived this Season as part of continuing celebrations of MacMillan’s profound impact on British ballet, to mark the 25th anniversary of his death. Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. Kenneth MacMillan’s source for Manon was the 18th-century French novel by Abbé Prévost, already adapted for opera by Massenet and Puccini. Renowned dance musician Leighton Lucas and his assistant Hilda Gaunt provided a score drawn from across Massenet’s music, including his famous yearning Elégie as the theme for the lovers. The premiere was given on 7 March 1974, with the lead roles of Manon and Des Grieux danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance. MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.